Arts Council of Princeton presents the opening reception of Charles David Viera’s “Clear the Studio” Benefit Exhibition.
After four decades of creating art – and in an effort to clear space in his studio – Charles David Viera has graciously donated more than 30 artworks to the Arts Council of Princeton to offer to the public for sale.
These paintings and drawings will make a wonderful addition to your home or collection. Offered at greatly reduced prices, 100 percent of the proceeds will benefit the Arts Council of Princeton and their mission of building community through the arts. Works are priced as low as $50 and all serious offers will be considered. Viera’s exhibition is the perfect opportunity to own an original work by one of the area’s leading artists and longtime instructor at the Arts Council of Princeton.
The public is invited to the opening reception on Dec. 15 from noon – 4 p.m. in the upper-level Solley Theater lobby gallery at the Arts Council of Princeton’s Paul Robeson Center for the Arts. The “Clear the Studio” Benefit Exhibition will be on view through Dec. 21. For a preview of selected work, visit charlesdavidviera.com.
Paul Robeson Center for the Arts is located at 102 Witherspoon St., Princeton. Parking is available in the Spring and Hulfish streets garages and at metered parking spots along Witherspoon Street and Paul Robeson Place. For more information, visit artscouncilofprinceton.org or call 609-924-8777.
The Arts Council of Princeton, founded in 1967, is a nonprofit organization with a mission of building community through the arts. Housed in the landmark Paul Robeson Center for the Arts and designed by architect Michael Graves, the ACP fulfills its mission by presenting a wide range of programs including exhibitions, performances, free community cultural events, and studio-based classes and workshops in a wide range of media. Arts Council of Princeton programs are designed to be high-quality, engaging, affordable and accessible for the diverse population of the greater Princeton region.
